畢業於東海大學美術系碩士班創作組,
自2015年起即全職創作,由於過去受到膠彩水墨訓練影響頗深,
經常是以金屬箔作為基底材、運用墨水、棉線、影像等複合媒材展現不同的演繹可能,
關注的議題包括私家族史、生死議題、情慾展演等。
曾獲文化部遴選為 Art Taipei「Made In Taiwan-新人推薦特區」藝術家、2015年 臺南新藝獎首獎、
2016年及2019年天美藝術基金會舉辦的台灣當代藝術家海外參訪計畫及2021年台灣當代藝術家出版計畫獲獎人。
作品曾受臺南市立美術館及國立臺灣美術館典藏。
我於2015年受邀至日本茨城縣筑波美術館「新進藝術家育成展」參與展出、也於 2015年、2018年分別參與國立台灣美術館的策展「夢‧棲地 ─館藏青年藝術主題展」「花之禮讚-四大美術館聯合大展」、2019年參與國家人權博物館之「言論自由日特展」、2021年受邀製作國立台灣文學館「可讀·性—臺灣性別文學變裝特展」之裝置藝術。
黃至正深受箔材同時具有脆弱與剛硬的二元性吸引,作品關注現象的形成,
並透過個人經驗的演繹,反問當代建構的現實是否堅固。
至正的作品經常往返年幼歲月,探討人的關係如何質變,也在這當中觸及了生命的各個面向與時間感知。
在創作者的眼中,萬物的界線總是曖昧的,永不復見的人能隨時在記憶中重逢、無關的事物能透過奇想賦予連結,
因而創作該是在人們習以為常的生活中,製造些微的騷動,
在人們以為一成不變的尋常日子裡,暗示另一個知覺性世界存在的可能。
Born in Miaoli and grew up in Kaohsiung, Taiwan, I received my M.F.A. from Tunghai University and became a full-time artist after graduation.
Deeply influenced by my past training in ink wash painting and glue color, I often apply mixed media including ink, cotton threads, and photo images on a foil-based foundation to experiment various possibilities of presentation. I pay close attention to topics concerning personal family history, issues on life and death, lust display, etc.
I was delighted to be the winner of the 2015 Next Art Tainan and selected for Tianmei Art Foundation's 2016 and 2019 Taiwan Contemporary Artists Overseas Visit Program. Also, I’m selected for Tianmei Art Foundation's 2021 Contemporary Artists Publish Project. My artworks are collected by Tainan Museum of Fine Arts and National Taiwan Museum of Fine Arts. I also participated in a joint exhibition ‘FINE ART / UNIVERSITY SELECTION’ in Tsukuba Museum of Art in Tsukuba, Japan, ‘DREAMS HABITATIONS’ and ‘Flowers of Immense Charm’ in National Taiwan Museum of Fine Arts, ‘Unjust Deadline-Postwar Journalists’ in National Human Rights Museum, ‘Reading Sexaulities’ in National Museum of Taiwan Literature.
Fascinated with the solidity and frailty of metal leaf, Chih-Cheng's art centers upon issues of sensation of time and life to death. He focus on the factors of phenomenon, questioning the reality of contemporary society through his own individual distinctiveness. He believes boundaries don’t really exist between everything, only what matters is how you look it. As an artist, he implies different formation of the world.
黃至正Huang ChihCheng 聯絡資訊
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